My writing streak is broken. I didn’t write a word over the Easter long weekend.
I don’t regret that one bit. I had a lovely relaxing weekend in the company of good friends and loud children, eating ridiculously delicious food and playing games. I finished reading a book that I liked and admired (Andrea K Höst’s The Pyramids of London – review incoming).
Then on Wednesday I had my very first ever migraine, which was – well, let’s just say that I know a few chronic migraine sufferers and I have a newfound respect for their ability to function at all. It’s five days after my attack and I still feel like warmed-over garbage.
However, that’s by the wayside (I hope). It seems a good time to review where I’m at with the novel, now that I’ve completed a distinct block of work.
Up until the 2nd of April, the A Flash of Black Wings manuscript was sitting on 31500 words or so. I’ve managed another couple of quick sessions since then that have dragged it up to nearly 33K. The writing streak that produced that wordcount took place over 43 days, at an average of 730-odd words per day.
I’m fairly satisfied with that as an overall result, although I am conscious that I can easily produce about 400 words in a half-hour block, which points to the fact that I am not exactly putting in stellar hours to get the project finished. I try not to beat myself up about the numbers, but the time could definitely stand to do some work.
What have I learned so far?
1) Working from a loose outline definitely helps to improve my productivity. Even though I am continuously stopping to think about how the characters should respond to situations, to make up some new bit of setting detail to dress a scene and to craft halfway decent dialogue, it helps to know where I have to start and end with a chapter.
2) Having an outline is no protection against meandering. I still write a lot of unnecessary fluff. In the middle of scenes I have often found, as mentioned above, that I need to make up some detail in order to give a scene a sense of place or to address some plot point or give context to a line of dialogue. I usually respond to this by writing a paragraph or two of info-dump setting material that has no useful function in the scene I’m writing. It’s stuff that’s necessary for me to understand my own world and characters, but it drags the hell out of the scene in play. In the editing phase I’m going to be needing to lift a lot of chunks of text like this out and either discard them or find a more appropriate home for them. I guess I could address a lot of this by doing better planning up front, but that’s a lesson for the next book, not this one.
3) Having an outline is no protection against rampant imagination. One of the big complaints you hear a lot from born pantsers (like me) is that writing the whole story out ahead of time kills the creative process. That knowing where the story is going and how it will end takes all the fun out of the journey. That was one of the things I was quietly experimenting with on this project – whether working from a detailed outline would leave me feeling bored or uninspired.
It turns out that during the writing process an entire new plot thread has emerged which completely changes the context of the characters and the situation. This plot thread was not in any way a part of the original outline. It just came out as part of giving a minor character a bit of background depth, and evolved into a core part of the situation. It’s too compelling not to use, even though it ramps up the complexity of the story in ways I haven’t quite figured out how to deal with yet.
4) Outlining is an iterative process. With the new plotline insinuating itself into my otherwise simple survival-chase romp adventure, I probably have to go back to my outline and do some more work to figure out how it all fits together now. I am tempted to run with the change in direction for a little while to see where it’s heading, but there’s a danger of chasing the new plot down a rabbit hole and having to throw away large chunks of work (which I am utterly loathe to do). So I think that for the next week my aim will be to complete the scenes I am writing now, and take a fresh pass through the outline to rework the structure and see whether it will survive the invasion of the alien plot .
 Plot does not contain actual aliens, depending on your definition.