Lexifabricographer

June 18, 2013

AWWC 2013 Review – River of Bones by Jodi Cleghorn

This is a review for the Australian Women Writers Challenge 2013. It’s my sixth for the year, which means that I am probably on the verge of hitting my goal of 10 books read and six reviewed. But I’m going to keep reviewing anyway.

I understand Jodi Cleghorn’s River of Bones was originally written as a novella named Elyora. I like the evocative sound of Elyora, the name of the haunted country town in which the story is set, better than the generic spooky title the story has ended up with, but that’s my last major complaint. And anyway it’s not as if River of Bones is misleading in any way.

River of Bones is the story of a band falling apart on the verge of breaking in. At least, that’s what’s happening when their tour van breaks down in a sleepy Australian country town that appears to be literally stuck in the past. As they become acquainted with a handful of locals, some of them friendlier than others, they begin to realise that Elyora is a very nasty place to get lost in.

The setup to this novel is indistinguishable from any number of gore-filled slasher flicks, in which pretty young people encounter outback/backwoods/hillbilly chainsaw/cultist/cannibal crazies and are grotesquely murdered. Cleghorn does something more interesting with the trope, though, overlaying her bloodbath with gothic imagery, restless ghosts, secret government experiments, Australian xenophobia and a passionate if disturbing romance. With so many ingredients, River could have been a cluttered mess, but Cleghorn pulls it off (although I admit I needed a second readthrough to figure out how the government experiment part fitted in).

Cleghorn has a great eye for the small details that bring her 1970′s-era Elyora to life. River is as gloomy and atmospheric as you’d hope in a gothic novel, the character dialogue is sharp and the horror scenes are memorably gruesome. There were plenty of effective horror moments, though as a parent I think the worst was one character’s alarming indifference to child safety. Overall River of Bones is what I look for in horror – inventive, emotional and gruesome.

June 14, 2013

AWWC 2013 Review – Fire & Ice by Patty Jansen

Filed under: books of 2013,books read,women writers challenge 2013 — Tags: , , — lexifab @ 6:43 pm

This is not so much a review as a response to Patty Jansen‘s Fire & Ice: Icefire Trilogy #1 for the Australian Women Writers Challenge 2013. This is my fifth review for 2013. At the time of writing, this novel is available as a free ebook from SmashwordsAmazon  and Kobo. (Edit: Oops, correction, not free at Kobo). As the name implies, it’s the first volume in a trilogy.

The first part of what promises to be an exciting epic fantasy, most of the elements of Fire & Ice work very well – fascinating magic with some truly weird qualities, an arctic (or at least very cold) setting, political intrigue, fantastic beasts (mainly giant riding eagles, bears under harness and sea lions) and protagonists with a variety of relatable agendas.

Mostly Fire & Ice worked for me, but I didn’t quite enjoy it as much as I might for a couple of reasons. While most of the women in the story – in particular the long-suffering midwife and the adolescent queen – were intriguing and appealing, the men were almost all either terrible, stupid or desperately broken. I’ll deal with my problems with the guys below the cut, as there are some spoilers involved. (Also: trigger warning for discussion of rape).

Aside from the elements that put me off, this is a good story – a political potboiler in the process of colliding headlong with a magical apocalypse, told through the eyes of a (somewhat ill-prepared) revolutionary, a captive queen and a couple of naive young Knights with dark secrets. The pieces crash together in exciting ways, and the situation escalates nicely toward an explosive climax. That said, nothing is resolved by the end – it’s undoubtedly the first part of a series, though in itself that’s by no means a complaint.

But I had a few problems with Fire & Ice that dragged it down for me. I enjoyed the prose and characterisation, so I’ll definitely be looking out for more of Jansen’s work, but I’m not sure I’ll necessarily go back to this particular series.

(Some character spoilers below. Also: major trigger warning)

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June 13, 2013

Down with day jobs

Filed under: wordsmithery — Tags: , , , — lexifab @ 4:06 pm

(This is a very, very long post which will be of interest to at most two or three people. You have been warned.)

A while ago, my learned associate and bosum chum Doctor Clam held forth on the subject of what he termed the professional artistic class, and how its existence constitutes a potential source of societal harm rather than being the unequivocal good one might presume of its artistic sector. You’ll need to read that essay before this one makes any sense. Go do that, and then come back here if you want to hear what I have to say.

And what I say is “bollocks”, is what I say.

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June 11, 2013

RIP Iain M Banks

Filed under: news of the day — Tags: — lexifab @ 11:50 am

“Sorrow be damned and all your plans.   Fuck the faithful, fuck the committed, the dedicated, the true believers; fuck all the sure and certain people prepared to maim and kill whoever got in their way;  fuck every cause that ended in murder and a child crying.”  –  Iain Banks, Against a Dark Background

Damn, but I will miss Iain Banks’ writing. Yeah, this is the quote that everyone’s using to eulogise him. That’s because it’s a really good fucking quote. So there.

June 10, 2013

AWWC 2013 Review – Asymmetry by Thoraiya Dyer

This is a review for the Australian Women Writers Challenge 2013. It’s apparently only my fourth review, which is a bit slack, since I know I’ve read more than four books that meet the criteria. But nearly all of my writing time lately has gone into novel writing, so I’ve allowed a bit of a backlog to emerge. I’m going to try to deal with that by writing a few – gasp – shorter reviews. That’s the plan, anyway.

By now it should be obvious to anyone who reads my reviews that I have complete faith in the Twelve Planets Series from Twelfth Planet Press. This volume – Asymmetry - presents four new stories from Thoraiya Dyer, whose short story ‘The Wisdom of Ants’ (first published by Clarkesworld Magazine) was the winner for Best Short Story at the 2013 Ditmar Awards for Australian science fiction and fantasy. I wouldn’t be surprised to see any of the stories in this collection in the running next year.

Asymmetry is excellent. If there’s a unifying theme, I’m not up to the job of identifying it, though Nancy Kress takes a good stab at it in her introduction. Then again, I’m quite content with no theme at all, if the stories are this good. I’m going to do my best not to spoil any of them.

‘After Hours’ is the story of a veterinarian assigned to treat security dogs on a military airbase. She struggles to cope with the military mindset of her patients’ handlers, only to discover that their belligerent, obstructive attitudes have an uncanny explanation. ‘Zadie, Scythe of the West’ is a military fantasy about a character trying to escape the rigid expectations of her family, society and religion – and the costs of taking shortcuts. In ‘Wish Me Luck’, a man begs and borrows luck from sympathetic passers-by so that he can be reunited with his lost love. (It may not sound like hard science fiction, but it is). Finally, in ‘Seven Days in Paris’ a woman is subjected to what seems like a pointless and grotesque social experiment, but her impatient handlers have a desperate purpose.

‘After Hours’ is probably my favourite story ever of its kind, though I won’t say what kind that is (even if the back cover blurb does kind of give it away). However all four stories are excellent (and the sample chapters from Dyer’s novella ‘The Company Articles of Edward Teach’ are an intriguing bonus).

Like the rest of the Twelve Planets books, Asymmetry does a fantastic job of showcasing the talents of a remarkable Australian speculative fiction writer. I am comfortable adding Thoraiya Dyer’s name to my list of must-read authors on the basis of this collection.

Review – Shotguns v. Cthulhu (Edited by Robin D Laws)

An excellent anthology of stories injecting thrilling action into H.P. Lovecraft’s often rather staid cosmic horror cycle (though the editor, Robin D Laws, takes care to point out that there was a fair amount of potboiling action in the source stories themselves). With one clunking and risible exception that sounds a lot like after-play report from a particularly overwrought convention scenario, by a writer who has been around more than long enough to know better, these are all fine stories. The writers tend to keep the focus down at the individual level, showing how remarkable characters survive (or don’t) their brushes with the unnatural and various apocalyptic horrors.

A few of the best are Kyla Ward’s “Who Looks Back?” in which adventure-seeking tourists run into something nasty on a New Zealand volcano; “Old Wave” by Rob Heinsoo, about the cultural cost of encountering the Mythos in the Pacific; and Kenneth Hite’s erudite and clever archaeological case study “Infernal Devices”. Most of the rest of the collection are good; those three are great.

Stone Skin Press have put together a few of these themed anthologies over the past year. Based on this and the Aesop-updating ‘The Lion and The Aardvark’, they are a small publisher well worth watching.

May 28, 2013

More shilling! Next at Smashwords

A very quick one: the CSfG Next anthology is now available for purchase from Smashwords for the utterly reasonable $4.99 US.

Obviously I recommend it, but then I would, wouldn’t I? I like to think of it this way – for five bucks you get a completely readable, diligently proofread story by me, along with more than twenty separate opportunities to scrub that story from your brain.

What’s not to like?

May 21, 2013

AWWC 2013 Review – Hunting by Andrea K. Höst

This is my third review for the Australian Women Writers Challenge 2013. I thought I was doing a little better than that, but then I remembered that I’ve been reading short stories almost exclusively for the last couple of months. So I’ve got a little bit of catching up to do.

Hunting is a standalone young adult fantasy novel by Andrea K. Höst [1]. Ash Lenthard is the street-smart young heroine  who has disguised herself as a (slightly younger) boy and apprenticed herself to a herbalist in order to escape from an unfortunate previous life. When her guardian is murdered, she finds her desire to return to life on the streets thwarted when she is warded to the Investigator appointed by the king to look into the serial killing of herbalists. With no choice but to maintain her identity as a young boy, Ash finds herself cornered into becoming a seruilis (squire) to the foreign noble and a key part of his murder investigation.

A summary of the first couple of chapters makes Hunting sound like a bit of a fantasy version of a grim investigative procedural, and to an extent it is. The more that Ash and the nobleman, Thornaster, poke around, the more vicious and bleak the conspiracy they uncover becomes. Beneath the witty banter, romantic interplay and the flirtation with cross-dressing farce, the world of Hunting has a more nihilistic streak than most of Host’s work. But she does an excellent job of keeping the action moving so that the story never threatens to wallow in its own darkness.

The author has mentioned that Hunting was written at least partly in response to her frustration with the heroines of Georgette Heyer’s Regency novels, who despite their deep reserves of pluck and spirit often fall just short of being proactive. Some guy always comes along to make all their decisions for them.  Ash is every bit as strong-willed as any Heyer heroine, but she’s only likely to go along with a would-be white knight if it happens to suit her purposes. She’s a fun character, even if she herself is not often having much fun.

I have to confess that I didn’t fully understand the magical elements of the story, which are integral to the plot’s resolution, but it certainly didn’t keep me from enjoying them. Apart from that, it’s an adventurous romp with plenty of derring-do, peril and romance, flavoured with the odd splashes of darkness to settle the froth.

 

[1] I have previously reviewed her novels And All the Stars,  Stained Glass Monsters and The Silence of Medair.

The viscous middle and the lure of the shiny

Filed under: fitter/happier,news of the day,wordsmithery — Tags: , , , — lexifab @ 12:55 pm

I’ve been not-blogging for some time now while I wrestle with my novel manuscript. It’s a hard slog that is chewing up a lot of brain power and time, neither of which I’m finding available in abundance.

I am now well and truly into the trench warfare stage of the writing process, mired down in an intractable internal debate about where I want the story to go and how I’m going to get there. Every time I feel like I’ve taken a step forward, with a fun scene or a halfway-ingenious plot twist [1], I get bogged down. How do I make the characters’ decisions seem convincing? How can I make some plot-essential development compelling? How do I write my way out of the corners I am stuck in? How do I live with knowing that a good third of what I’ve written so far definitely has to get chopped out?

The other night I had hit a wall so badly that I figuratively reworked Raymond Chandler’s famous writing advice: (paraphrasing) “If you don’t know what happens next, have two guys with guns come through the door”. The scene I wrote in accordance with that principle dropped a side character into a pivotal scene so that I could explore the scene from the outside. It was a lot of fun to write, and helped unblock a few gunked-up plot pipes, but it probably won’t survive to the final manuscript.

I’m discovering that my writing method appears to be to over-write in the hopes that future edits can pare everything back by about 25%. That feels like an impractical waste of time, but this far into the project I am not sure I can change my work methods. something for the post-draft review, perhaps.

The other thing I am discovering, which comes as no particular surprise, is that I am desperate to write some short stories instead of perservering with the novel. There’s not surprise there – short stories (at least the ones I write) tend to depend on fewer ideas, they’re less complex by virtue of having fewer moving parts (characters, locations, scenes etc) and they take less time to draft. They’re easier, is what I’m saying. I know from experience that I can finish a short, whereas with a novel-length work that confidence is at best theoretical [2].

There’s also the sense that with short stories, I can feel like I am making tangible progress toward my goals as a writer by finishing and submitting a few for publication.[3] In my ideal world, I would have at least three, if not five, short stories out for submission at any given time, and others in preparation in the event that one of them was accepted somewhere. While I think it’s just as important to me to develop my ability to craft a novel, it’s a much slower and more frustrating process than the comparitively immediate gratification of placing a short story (which includes posting it up here and getting feedback from someone who read it all the way to the end…).

Yes, this is petulant whining. I know that. “But it’s haaaaaard!” is something my five year old says (a lot). Sorry for boring you lot with it but I do find posts like this a necessary evil. Calling myself on my lazy, work-avoiding bullshit is part of my process for getting stuff done. Feel free to ignore these posts and hopefully sooner or later I will get back to boring you with my opinions about Lost.

I’ve made finishing the novel a goal for this year and I have a deadline to work to (my critiquing circle is expecting a finished draft at the start of July). I will perservere. I will march on through the harsh weather of fatigued self-confidence, undermotivated characters and unintelligible plot convolutions. I will deliver a manuscript that has THE END typed on the last page, even if I know it is imperfect. I will get there.

It’s just that, right at the moment, it would be a hell of a lot easier to be doing almost anything else.

[1] For certain values of “ingenious” which are probably not shared in th common vernacular.

[2] I don’t count Bard Wars, my 2003 NaNoWriMo piece, in part because it was written in very different and now-impossible circumstances and in part because I never did go back and do the hard work of knocking it into a reasonable shape, which is what I am doing with this work.

[3] Clam, I am still pulling together a response to your anti-professionalism essay. I’ll get there soon.

May 14, 2013

Next anthology available

Filed under: books of 2013,wordsmithery — Tags: , , — lexifab @ 11:47 am

Proud as I am to be a part of the Next anthology, I don’t want to belabour it too much. On the other hand I want everyone I know to buy it, and now they can: the hardcopy is now available for sale at the CSfG website.

It is well worth looking at the other publications on offer and perhaps picking one of those up at half price along with Next.  I can particularly recommend the ones I have read, which are Winds of Change, The CSFG Gastronomicon or (if your tastes run to the upsetting and/or the gruesome) Kaaron Warren’s collection The Grinding House.

No word yet on the release of the ebook version of Next. I will update this post when it goes on sale.

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