Lexifabricographer For when the right word just won’t do…

May 14, 2014

Where are the short stories and stuff?

In the comments of the previous entry, Marco asked “Where are the short stories and stuff?”

I thank the Honourable Member for his question and for the opportunity to detail exactly what the Government of Lexifabricogristan is doing to support and enhance the worldwide glut of speculative short fiction of questionable cultural, dramatic and grammatical value.

Ahem. The short stories are churning along. I’ve been holding to my minimum wordcount of 400 new words of fiction per day for…hm, 18 days now. That doesn’t sound like much, I admit, but it’s decent chunk of wordcount that didn’t exist before, so I am more than happy with it. I’ve also been diving deep on critiquing novels and short stories and drafting outlines for various projects so that I always have something new on the boil.

That’s probably not what you were really asking. You were *probably* asking why I haven’t been putting any fiction up here on the blog lately. The answer is that I’m being selfish and greedy (or career-minded, if you prefer the apirational/positive spin). I am working with as much dedication as I can muster towards having a published body of work, so I haven’t posted any new fiction on the website since January last year. Most fiction markets pay for first publication rights, which means that a work of fiction cannot have been published anywhere prior to acceptance. That includes even blogs like this one, with its nigh-subterranean reader numbers.

Anything I finish to an adequate level of polish, I have been submitting to professional and semi-professional short fiction markets – mainly online publications and print anthologies. Typically what happens then is that they sit in slush piles for weeks or months on end, until a commissioning editor reads it and either rejects it (likely) or decides they like it enough to pay me, pending edits (unlikely but possible and highly desired). As soon as a story is rejected – and I should note that rejections from professional short story editors can happen *very* quickly, my personal best being a four-hour wait from ‘hit send’ to ‘no thanks’ – I repackage it with a new cover letter and send it straight back out again to the next market.

Sometimes, though not every time, the rejection will come back with some feedback about why it was not accepted. I always take a look at the feedback, see if I agree with any advice on how to strengthen the story, and then either apply some edits or not. Sometimes the feedback amounts to “this story is not a good fit for our publication”, which is what it is. So far I’ve been lucky enough not to get feedback to the effect that “this is a bunch of unmitigated dog faeces that if published would bankrupt us and ruin lives”, so that’s nice. Either way, unless I feel I’ve run out of places that I could send it, the story goes back out into the wild again to earn its keep. I have yet to hit the limit of potential markets for any particular story; I submitted one story thirteen times before it was accepted somewhere. True story – I was pretty close to giving up on it, in which case I would have posted it here for everyone to read. Sorry about that, I guess.

So what’s my publication hit count? I still have one (1) published story: ‘Imported Goods – Aisle Nine’ in Next. That came out over a year ago. Whee, doesn’t time fly?

I’ve got four stories out in circulation at the moment – one has been accepted pending a space in a publication schedule (that’s the thirteenth-time-lucky one), and the other three are in submission queues (aka ‘slushpiles’). At least one of those is in a second round of reading, which means that at least one person at the publishing entity liked it enough not to reject it outright.

I’ve got two more stories in preparation. One is a first draft awaiting revision, the other is a half-draft. I’ve set myself a goal of finishing at least ten stories this year to what I consider a submittable standard, of which I have so far completed one. Miles to go there.

Apart from Step 1 – Completing the things I start, I have some other goals. The first is that I want to be published in a notable Australian speculative fiction market. Apart from the CSfG anthology (it opens for submissions in a few weeks, but I haven’t come up with an idea yet), there are various spec fic journals (Andromeda Spaceways Inflight Magazine, Aurealis, SQ Magazine) as well as regular anthologies from publishers like Ticonderoga and Fablecroft. I’m loving what Brisbane-based Tiny Owl Workshop are doing at the moment – I’d love to work with them. There are many others.

My second goal is that I want to break into overseas markets that publish stuff I like to read, like Clarkesworld and Beneath Ceaseless Skies (to name just a couple). That’s a little more ambitious, but I’m confident that it’s within reach or almost so.

Either of those goals could happen literally any time now. When it does, and when I’m allowed to say anything because of contracts or whatever, you can bet your favourite phalanges I will trumpet it here and on Twitter and over a beer if you happen to pass within my gravitational vicinity. Damn, but I am looking forward to my next celebratory Beer of Publication.

In the meantime, I wait patiently, I keep writing and I turn out new stories.

2 Comments »

  1. Fair enough. I am not so much a consumer of fiction that I have to pay for, nor do I ever want to be a producer of lies for profit. I made a promise to myself that I would read some blogs, make an occasional comment and perhaps even make some entries on my own blog. That’s ambitious for me at the moment…..

    Comment by Marco — May 21, 2014 @ 8:31 pm

  2. We have fiction that you don’t have to pay for, Marco…

    Comment by Dr Clam — May 23, 2014 @ 8:49 pm

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