Back to the Island 3.2 – The Glass Ballerina
“You said this dock was abandoned” - Sun-Hwa Kwon
“That would be part of the lying you mentioned” – Sayyid Jarrah
Summary: Sayyid, Jin and Sun try to ambush the Others but lose their boat instead
The Best Bit: While the focus of the episode is on Sun, and particularly exploring the fractures that have always existed in her relationship with Jin because of his willingness to use violence, which is a rich, rich vein to mine, that’s not the best bit of this episode. The best bit would be a shirtless, grubby Sawyer attempting an impromptu breakout from the Others’ chain gang, getting thwarted because Juliette pulls a gun on Kate, and then using the resultant brutal kicking to assess which of the Others represents a real threat when the time comes for a *real* breakout. It’s a classic Sawyer moment, combining his charming, sleazy opportunism – he instigates his half-hearted getaway by planting a showy, unsolicited kiss on Kate – and his cunning eye for the long game. Oh and something new is revealed for the first time: “Why did she call you James?” asks Kate. “Because that’s my name,” he replies casually.
The Worst Bit: Nothing about the episode is bad at all, though it feels more like a loosely-connected set of scenes than usual. Sun’s backstory is a clean through-line: she has an affair with her English tutor, her father finds out about it and orders Jin to kill him without mentioning why, Jin baulks at murder but Jae the translator kills himself anyway, and Sun’s dishonour has now made mutual the ill-feeling between herself and her father. None of the rest of it quite clicks into that narrative. Crucially though, Sun officially joins the list of killers among the Oceanic survivors, after she shoots Colleen (one of the Others). Admittedly it’s pretty much self-defense, but still – that doesn’t leave too many characters who have yet to murder someone. Maybe just Hurley and Claire.
The Mythology: The final scene, in which Benjamin Linus introduces himself and reveals to Jack that the Others are in contact with the outside world by showing him the winning hit of the baseball World Series, is purely there to touch base with the mystery. Who are the Others and why are they on the Island? “If you could leave this island, why would you still be here?”, asks Jack, to which Ben replies “Yes Jack, why would we stay?” It’s shameless place-marking, but thanks to the way Michael Emerson plays his fish-eyed delivery off Matthew Fox’s exasperated intensity, it’s a compelling scene to watch.
One question that occurs in this episode that is never clearly resolved is – who are all the other slaves on the Others’ work gang? Since an explicit answer is never provided, I choose to assume that they are other passengers from the plane crash or other castaways who have arrived at the Island over time and have declined to join in the Others’ as-yet-unspecified cause.
The Literature: Pretty sure nobody touches a book in this episode. In lieu of that, I will note that subtitles translating Jin and Sun’s Korean dialogue makes unambiguous that Jarrah’s first name is spelled “Sayid” with one Y. I note that only because I intend to keep defiantly spelling it Sayyid because I like how it looks. So there.
“The Glass Ballerina” doesn’t establish much that’s new, but it’s a showcase for Jin and Sun, whose relationship is one of the most compelling of the pre-crash storylines for my money. Sun’s willingness to use people is clearly shown as a weakness of character – she knows that she puts people in harm’s way for her own advantage or to avoid the consequences of her own actions, and she feels acutely guilty for it, but she does it anyway. The fact that she crosses a rubicon in this period of the story by killing someone feels like a significant milestone, either it’s the crash before her first steps towards redemption or it’s a point of no return on the road to self-destruction. At this point in the show that is absolutely one of the most interesting questions being asked: now that we are starting to get a handle on where these characters came from, where are they heading?
Eight out of ten shards of shame and dishonour for “The Glass Ballerina”.